Filip Vest

Filip Vest (they/them, DK, b. 1995) holds an MFA from Malmö Art Academy. Through performances, installations, films, and texts, they examine queer love, loneliness, and desire in the 21st century. Applying rehearsal methods from theatre, they test the relationship between the script and the body to investigate the different ways we perform our identities and relations. 

Filip Vest has previously shown their work at SMK The National Gallery of Denmark, Copenhagen Contemporary, Nikolaj Kunsthal, Arken Museum for Contemporary Art, Den Frie, Kunsthal Charlottenborg, Roskilde Festival, Tallinn Art Hall, MMCA Seoul, Museum of Modern Art Zagreb and at Manifesta13 as well as The 15th Gwanju Biennale. Their work is in the collection of Moderna Museet.

Selected projects:
Self Tape (2024)
Prøvedage / The Tryouts (2024)
Resort (2023)
The Wide-Mouthed Frog (2022)
Bunk (2022, 2024)
Filmkys / Movie Kiss (2022)
Bed Made To Look Like Body (2021)
Foot Fault (2021)

*

Email
Instagram

Foot Fault (2021)

In 1917, the Danish tennis player Leif Rovsing (1887-1977) was banned from all tournaments because rumours about his homosexuality had begun to circulate. During the following years, he tried to contest the decision again and again, but with no luck. Eventually he ended up building his own tennis court that opened its doors in 1921.

“Foot Fault” is a reimagining of Rovsing’s tennis court. It’s an exhibition about rules, sex, queer bodies, (tennis) fields of one’s own, and losing as a form of winning.